Go to every industry event you can afford to attend, go to shows, go to where the music business people hang out, make connections and build relationships. Industry folks are much more likely to listen to your stuff if they already know you. RRFC is fully functional during the current Coronavirus public health crisis.
Find out how. Pingback: chixtape 5 sample type beat. Would like to have a record label with a renowned production house… Help… We are a small town band named Granite yard from sikkim,India.
We are not able to get exposure. If you are looking for a manager i would advice you to contact Federico Sacchi who is the Senior Sony Music Manager in Italy to connect you to the world music stars and i believed i would do it for you the same way he makes my dream comes through and i would never forget the day someone directed me to him just the way i am doing now.
He is a generous man and knows the stategies to make you fame internationally in world music stars. My name is gift Echomgbe but my friends call me my music name kadi am from Rivers State emohua i have a good mother that takes good care of me so i need god to bless me so i can take good care of her i love music wen am a kid. Search for:. Do Your Research. Think Like A Record Label.
Comments Tamara slavkovsky. Derrick Hoe. Cristefer Young. Mula Gang TV. Memento Victory. Perry Stevens. Lil Banuelos. Jami LaChance Adams. Donny Rongkup. This is so enlighten thanks. Fani wayne. How exactly can I send my music to the record label. The physical and online distribution of your music? They will always be the ones who can take care of it — whatever their status, independent or not, renowned or not. In any case, do not be afraid: you will have the last word, with varying degrees of flexibility.
It all depends on the type of contracts you signed at the start of your collaboration. Here we will discuss three main types of contracts that you will be able to find. Here, the label will put its hand in its pockets for everything related to the costs of recording, publishing and distributing your music. Also, they will manage everything related to marketing and promotion. They will also be able to accompany you in the creation of your music via an artistic director. Regarding your remuneration, it will be based on your working time that is to say the time you spend composing , and on a percentage of the total income you will have generated thanks to your music — like your record sales.
In this artist contract, you will also stipulate the duration that binds you to your producer usually 2 or 3 years , as well as the number of musical projects albums, EP, etc. Now, the license agreement , arguably the most important one nowadays, involves self-production.
It deals with everything related to the sale of your music. To access the latter, there are two cases. The first: you sign an artist contract where the entirety of this service will be paid for by the label with which you are signed to.
The second: you are self-produced , and therefore, you have a finished record which you own entirely. In this second hypothesis, your record company will no longer have a role of a producer but, that of a publisher. It will then exclusively invest in promotion, communication and marketing.
It is important to stress here, that after the ratification of this contract, you grant your record company, for a fixed period, the possibility of reproducing, manufacturing and communicating your recordings — you, in effect, grant it a license. The usefulness of this approach is to maximize the sales of your music by distributing it massively, on all media, thanks to the contacts and expertise of your label. On the other hand, if this does not work, the losses will be substantial, since you will have already financed the entire creation process with your own money.
It will therefore allow you to call on specialists, whose mission will be to make your music accessible, whether physically via independent record stores, department stores, etc. Here again, the distributor buys a finished product , ready to be marketed. To get paid, they will take a percentage on the wholesale price of your music. If you have an artist contract, this process is included in the contract; the same goes for license agreements.
Check out : The best way to distribute your music and what distributor to choose? Finally, if you have self-produced music and therefore have managed the artistic and commercial aspects of your project, this last contract is for you. It will allow you to make your music accessible and you will reap almost all of the benefits from it, without paying anything back to your record label.
This business is very complicated and is mainly reserved for well known composers established in the community. However, even more so than the license agreement, if things do not go well, you will lose big time! In summary, and given the times we are living in, when creation is no longer reserved for an elite and where you can produce at low cost, the license agreement seems the most suitable.
However, to get started and build a solid base with a label that inspires you with confidence, we recommend the artist contract. You may earn less, but you can focus almost exclusively on making music — still pay close attention to the length of your contract and commitment.
The artistic line of the Cracki Records label is varied. They are driven by heart and aim to offer a wide range of eclectic and quality music. Styles of music : electropop, indie pop, indie rock, new-disco, pop soul, psychedelic pop, synthpop, synthwave. Contact Cracki Records. A passionate team, defending a record and publishing company that provides artists with everything they need for their career.
Their team is made up of a label director, a communications manager, a booker and a marketing manager.
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